The Russian Pavilion at the Biennale Gardens was filled with a mix of artists, billionaires, collectors, and curators during the inauguration days of the 60th International Exhibition at the Venice Biennale. The presence of prominent figures like Olga Sviblova, director of the Moscow Museum for Multimedia Art Mamm, and Daria Pushkova, director of the Russian Center for Science and Culture in Rome, highlighted the intersection of the art world and business world in Russia.
The exhibition “Scoletta dell’arte: Digital Reform” showcased digital works by contemporary artists alongside classics, emphasizing the evolution of art in the digital age. However, the shadow of war loomed over the art scene, with artists like Andrey Bilzho reflecting on themes of war and repression in Russia through his exhibition “oddlander.” Many Russian artists and curators have left their homeland in response to the political situation, seeking refuge in places like Berlin and Montenegro.
Despite this turmoil, exhibitions like “Uzbekistan: The Avant-garde in the desert” curated by Silvia Burini at Cà Foscari continue to showcase creativity and expression in difficult times. The presence of Russians in the art scene in Venice underscores their enduring spirit despite political challenges.
